https://collectedscatterings.org/16178375_10154780969272324_1073433278008854134_o/2018-03-29T13:09:51Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/16178375_10154780969272324_1073433278008854134_o.jpg16178375_10154780969272324_1073433278008854134_ohttps://collectedscatterings.org/16178809_10154780967982324_7590856537508899102_o/2018-04-09T14:05:27Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/16178809_10154780967982324_7590856537508899102_o.jpg16178809_10154780967982324_7590856537508899102_oSteve Kilpatrick and Alan Williams in discussion, Studio 6, University of Salford, January 2017https://collectedscatterings.org/16179305_10154766116917324_1350410195110448487_o/2018-04-09T14:04:46Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/16179305_10154766116917324_1350410195110448487_o.jpg16179305_10154766116917324_1350410195110448487_oTeachers from Associação de Capoeira Conviver, Mestre Valdir da Silva, Monitora Vicky Conviver and Formada Francis Coyle, demonstrating some of the toques (rhythms) found in capoeira., Studio 6, University of Salford, January 2017.https://collectedscatterings.org/16179553_10154780968612324_2085937164205761829_o/2018-04-09T13:38:02Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/16179553_10154780968612324_2085937164205761829_o.jpg16179553_10154780968612324_2085937164205761829_oHolly Marland in Studio 6 (University of Salford), with ethnomusicology student Tanya Jennings intently filming in the background.https://collectedscatterings.org/16252202_10154780971177324_519916625961611110_o/2018-04-09T14:02:25Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/16252202_10154780971177324_519916625961611110_o.jpg16252202_10154780971177324_519916625961611110_oDouble-bassist Michael Cretu recording with Holly Marland, January 2017 https://collectedscatterings.org/16252316_10154780960907324_522981176764864588_o/2018-03-29T13:10:05Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/16252316_10154780960907324_522981176764864588_o.jpg16252316_10154780960907324_522981176764864588_ohttps://collectedscatterings.org/26961743_10155835150297324_2213299786569273663_o/2018-04-09T14:03:44Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/26961743_10155835150297324_2213299786569273663_o.jpg26961743_10155835150297324_2213299786569273663_oMichael Cretu and Steve Kilpatrick listening to takes in the control room of Studio 2 (University of Salford)., January 2018https://collectedscatterings.org/27164212_10155835141002324_2494157807286643674_o/2018-04-09T14:03:01Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/27164212_10155835141002324_2494157807286643674_o.jpg27164212_10155835141002324_2494157807286643674_oSteve Kilpatrick reflecting whilst recording Michael Cretu, January 2018https://collectedscatterings.org/27331717_1583816235020800_1156170991783940717_n-1/2018-04-09T14:04:14Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/27331717_1583816235020800_1156170991783940717_n-1.jpg27331717_1583816235020800_1156170991783940717_n (1)RNCM post-graduate student Jisun Youn on violin with Dr. Steve Kilpatrick as the sound engineer, Studio 2, University of Salford, January 2018https://collectedscatterings.org/portfolio/capoeira-a-life-of-playfulness/2018-04-09T13:45:47Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/sobe_o_morro-e1522332632532.jpgsobe_o_morroAt the top of this hill, in Santos, Brazil, the academy of Associação de Capoeira, Senzala de Santos rests -thus the name of the song 'Sobe o Morro'. Image by Tristan O Field. https://collectedscatterings.org/photography/2018-04-09T14:11:44Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/CDyson.CapAcad.Aisha_.WDP_.Day2-68_preview.jpegGingaJostine Loubser in mid-ginga (sway) at the Manchester Capoeira Academy, July 2016.https://collectedscatterings.org/photography/2018-04-09T14:23:04Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/valdir-hands.jpgValdir's handsMestre Valdir da Silva demonstrating how to hold a berimbau: with your left hand - hook your little finger underneath the gourd string,rest the gourd against the 'foot' part of the palm of your hand and hold your pedra (stone) between your thumb and forefinger. In your right-hand: hook your caxixi (shaker) with two fingers so that it nestles in the palm of your hand and hold your vaqueta (also baqueta or 'playing stick') with your thumb, middlefinger and forefinger. ...and play! https://collectedscatterings.org/photography/2018-04-09T14:31:41Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Colin-_Caxixi-making.jpgCaxixi makingIn order to be a good capoeirista you have to know how to make your own instruments. Here Monitor Colin (Capoeira Mocambo, North Wales) is constructing a caxixi (shaker), Capoeira Encontro, Spain, 2003.https://collectedscatterings.org/photography/2018-04-09T14:37:39Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Colin-_Mestre-Cina_-Saturday-festa.jpgCapoeira FestaAfter hours of training and talking, a festa (party), with Mestre Chinaxé and Monitor Colin playing samba, Spain, September 2003.https://collectedscatterings.org/photography/2018-04-09T14:38:29Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Colin-et-al_-Saturday-roda.jpgSaturday rodaSaturday Roda at the Capoeira Encontro, Spain, September 2003.https://collectedscatterings.org/photography/2018-04-09T14:40:09Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Holly-and-Michael.jpgHolly and MichaelHolly Marland and Michael Cretu recording new arrangements of traditional Gambian and Senegalese songs, Studio 6, University of Salford, January 2017. https://collectedscatterings.org/photography/2018-04-09T14:40:36Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/hollys-hands.jpgHolly's HandsHolly Marland's hand placement on her kora. https://collectedscatterings.org/photography/2018-04-09T14:47:01Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/mestre-Bahia-6.jpgMestre BahiaMestre Bahia, one of Associação de Capoeira, Senzala de Santos' (Brazil) most revered teachers. He passed away in April 2017.https://collectedscatterings.org/photography/2018-04-09T14:50:57Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Mestre-Valdir-da-Silva-e-estudantes.jpgMestre Valdir da Silva e estudantesMestre Valdir da Silva and some of his younger students at the Batizado (Baptism event) and 20 year anniversary of Capoeira Conviver, March, 2016https://collectedscatterings.org/photography/2018-04-09T14:52:58Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Michael-Cretu-and-Jisun-Youn_Steve-Kilpatrick-as-engineer.jpgMicrophone SettingsMichael Cretu (Bass) and Jisun Youn(Violin) with Steve Kilpatrick as engineer, January 2018https://collectedscatterings.org/photography/2018-04-09T14:51:32Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Monitora-Vicky-_Capoeira-Conviver-Batizado_20-Anos.jpgMonitora Vicky _Capoeira Conviver Batizado_20 AnosMonitora Vicky at the Batizado (Baptism event) and 20 year anniversary of Capoeira Conviver, March, 2016https://collectedscatterings.org/photography/2018-04-09T14:53:15Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Santos.jpgSantosImage by Tristan O Field.https://collectedscatterings.org/photography/2018-04-10T10:58:16Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/alegria-de-ginga.jpegalegria de gingaJostine Loubser in full sway ginga, July 2016https://collectedscatterings.org/portfolio/ben-richten/2018-04-13T21:26:24Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/ben-richeten-e1523658507754.jpgBen rRichetenhttps://collectedscatterings.org/portfolio/ben-richten/2018-04-13T21:25:51Zhttps://collectedscatterings.org/wp-content/uploads/2018/03/berimbaus.jpgBerimbaus RestingOn big capoeira festival days such as Batizado's, Encontras, it is important to ensure that several instruments are strung and ready to use. Strings may snap, gourds may crack or, in between sessions, practitioners may want to practice. This group of instruments were created for Capoeira Conviver by Querido de Deus in 2016.https://collectedscatterings.org/photography/2018-04-13T22:19:33Zhttps://collectedscatterings.org/wp-content/uploads/2018/04/Alan-AWKS-e1554716129981.jpegAlan WilliamsComposer Alan Williams and his accordion.https://collectedscatterings.org/cs/2019-04-08T13:22:34Zhttps://collectedscatterings.org/wp-content/uploads/2019/04/CS.pngCShttps://collectedscatterings.org/cropped-cs-png/2019-04-08T13:22:45Zhttps://collectedscatterings.org/wp-content/uploads/2019/04/cropped-CS.pngcropped-CS.png